What are you going to do next?
Posted on Jul 5th, 2008
by
Shameslaya
This is in Response to the Questions and Reflections for July 05, 2008:
I am going to scribe this blog, which today will be a poem I wrote four days ago in a bar in Slovenia based on an incident I saw which lasted about four seconds and which i extrapolated.
Trauma
In the open bars
of smoke and hope
and loping tranmquility
and unsure deepening twilight
In the open bar
flanked by pharmacy and church
limned against unclean pitch-paths
He addressed himself to her breasts
until
the torch slipped in the darkroom
when
She flicked a mote of fly from her smallest finger
negligently
inelegantly
and he was reminded of his mother's back framed by that stained kitchen sink
and of the feeling behind his face.
In the open bar
beneath a slightly-soiled bunting
He coughs
to buy movement
He smiles
to regain momentum
He says..
".....and then he yelled so I wouldn't!!!"
meaning
I couldn't
I could not
not ever
lie beside you in the undeepening dawn
and
look behind your eyes
and find my light
mirrored within your heartsneed
not because you wouldn't
but because you cannot
In the open bar
the sort his father
brayed brightly
and hovered with acheing gravitas
within
In the open space
of his timed resignation
His gaze upon her is direct
He strokes his chin
Fingering a scar
forged in the aftershock
of his father's release
He loves to walk
Alone in the fragrant valleys of silken foliage
And photograph fronds
In shades of deepest saepea.
She thinks she dreams
Of fond communion
which would confer finality
in happiness
But dreams are drugs
Which do not bestow life in her body
Nor do they assuage
The terror in her core.
Between pennant and cobbles
Between church and pharmacy
And on the table between she and he
Crawls the injured fly
Loping in insect agony.
Lubljana 1/7/08
of smoke and hope
and loping tranmquility
and unsure deepening twilight
In the open bar
flanked by pharmacy and church
limned against unclean pitch-paths
He addressed himself to her breasts
until
the torch slipped in the darkroom
when
She flicked a mote of fly from her smallest finger
negligently
inelegantly
and he was reminded of his mother's back framed by that stained kitchen sink
and of the feeling behind his face.
In the open bar
beneath a slightly-soiled bunting
He coughs
to buy movement
He smiles
to regain momentum
He says..
".....and then he yelled so I wouldn't!!!"
meaning
I couldn't
I could not
not ever
lie beside you in the undeepening dawn
and
look behind your eyes
and find my light
mirrored within your heartsneed
not because you wouldn't
but because you cannot
In the open bar
the sort his father
brayed brightly
and hovered with acheing gravitas
within
In the open space
of his timed resignation
His gaze upon her is direct
He strokes his chin
Fingering a scar
forged in the aftershock
of his father's release
He loves to walk
Alone in the fragrant valleys of silken foliage
And photograph fronds
In shades of deepest saepea.
She thinks she dreams
Of fond communion
which would confer finality
in happiness
But dreams are drugs
Which do not bestow life in her body
Nor do they assuage
The terror in her core.
Between pennant and cobbles
Between church and pharmacy
And on the table between she and he
Crawls the injured fly
Loping in insect agony.
Lubljana 1/7/08








poignant… x
And a poet too boot … yes, Nicole - poignant!
“But dreams are drugs
Which do not bestow life in her body
Nor do they assuage
The terror in her core.”
Yeah - face the terror, witness all of it, the good bad and ugly.
XOX - J
Thanx folks.
Good bad and ugly……oooeeoooeeeeooooooo
wah were wah
J x
A very sentimental story about the crash between our dreams and the reality. I admire your handling of words, playing the different scenes forward. A great gift !! When I read these words describing some seconds from your adventure in Slovenia, I came to think about Bily Joel and his “The Pianoman” !!
How fragile and helpless we can be…
Thank you Ane Lis and thanx for the link…not heard this song before….I like how seemingly-impartial observation functions as an objective correlative (as Eliot would have it) describing the state of mind of the poet….as Billy Joel's pianist reveals himself as he narrates…it's not in what is narrated but in the way in which what is selectively narrated is linked up…
In the case of my poem, i'd had a particularly long day with exams and felt rather desolate on my own in a crap hotel in a country i did not aesthetically care for…so my selected vision and interpretation evinced my sense of futility and yearning.
Warmly, Jon x
i love that song, have loved it for many years. so appropriate Ane Lis, yes